Affichage des articles dont le libellé est ILLUSTRATORS (vintage). Afficher tous les articles
Affichage des articles dont le libellé est ILLUSTRATORS (vintage). Afficher tous les articles

vendredi 29 mars 2013

JOHN GILROY & the aesthetic meal-in-a-minute (GUINNESS' cult illustrator)

John Gilroy (1898-1985) was a superb natural draughtsman and a versatile illustrator and artist who produced nearly 50 poster designs for Guinness over 35 years and laid the foundations for the cult status of the brand.

Born on the 30th of May 1898 at Whitley Bay, Newcastle upon Tyne, his father William Gilroy was a marine landscape painter and technical draughtsman and it was obvious from an early age that John junior was going to follow in his footsteps.


In 1925 Gilroy embarked on his long association with the advertising agency SH Benson Ltd (Benson's), for whom Gilroy worked as an in-house artist.

In 1928 Benson's won the Guinness advertising account and Gilroy became involved with the product with which his work is most closely associated. Gilroy's first known Guinness poster was produced in 1930.

The beer itself had been frought with sluggish sales and needed a boost.Gilroy's first campaign launched in 1930 - "Guinness Is Good For You" - and was an immediate success. Over the next 26 years, Gilroy would produce a veritable Noah’s Ark of creatures – a crocodile, polar bear, ostrich and gnu to name just a few – along with their long suffering zookeeper, a caricature of the artist himself.

In 1955, Gilroy produced ‘Toucan on a Weathervane’, arguably his most iconic Guinness creation.


Gilroy continued to produce Guinness advertisements well into the 1960s even though he left Benson's employment as an in-house artist in the 1940s to continue freelance work.

Gilroy produced more than 100 press advertisements and nearly 50 poster designs for Guinness over 35 years.
 
John Gilroy's style & its contribution to the brand:

Gilroy once said of his work: ‘The man in the street has no time for contemplation. My posters are, therefore, a kind of aesthetic meal-in-a-minute’.

Celebrating its 250th anniversary this year, Guinness – now part of global drinks company Diageo – remains indebted to the artist. John Roscoe, Diageo’s Marketing Director for Guinness, says: ‘Gilroy created advertising that made people smile and love the brand. He did it in a way which, for the first time, had a consistent look and feel, and laid the foundations for decades of fantastic advertising for Guinness.’

What's truly remarkable about this campaign is that it was a creative, consistent simple campaign that keep the same strategy and look for decades. And no body copy, an anomaly, pre-Mad Men era!

The business results:

By 1950, five million pints of Guinness were being sold every day, more than double the sales volume before Gilroy's campaigns.

By the 1980s, Guinness understood that its posters and advertisements had become embedded in the beer world's collective consciousness and had attained a certain cult status. Guinness posters were replicated and made into decor for the hundreds of thousands of Irish pubs worldwide, further defining the brand and exposing massive audiences to the old poster designs. Replica prints of these famous Guinness posters and tin adverts constitute a healthy market today.

John Gilroy as an artist:

For his contributions to the art world -- including but not limited to his work for Guinness -- John Gilroy was awarded an honorary Masters of Arts from Newcastle University in 1975 and appointed Freeman of the City of London six years later.

John Gilroy died at Guildford on the 11th April 1985, aged 86, and is buried at Ampney St Peter in Gloucestershire.


lundi 4 février 2013

René GRUAU (4 February 1909 - 31 March 2004)


Rouge Baiser, 1948 

Le bas Scandale, 1950 

Dubonnet, 1950 

Les Bas Christian Dior, 1952 

Cinzano, 1953 

Miss Dior, 1959 

Dior, 1960 

Ortalion, 1967 

Eau Sauvage, 1978

Gruau's artistic talent in fashion illustration merited him publication at the age of 14 and by the time he reached 18, he was published internationally, in the US, Italy, and France. In his lifetime, Gruau worked for numerous magazines including Marie-Claire, Femina, Elle, Vogue, Harper's Bazaar, Flair, L'Officiel, and Madame Figaro, and L'Officiel de la Couture.

Gruau was hired by major designers like Pierre Balmain, Christian Dior, Jacques Fath, Balenciaga, Elsa Schiaparelli, Rochas, Lanvin, Elizabeth Arden, and Hubert de Givenchy. Gruau gave life to their haute couture clothing and expanded their popularity with his captivating illustrations.

Gruau, whose posters often echoed both classical Japanese drawings and Toulouse-Lautrec's sketches of fin de siècle Paris night life, was even best known for creating the marketing images for Miss Dior perfume and for Rouge Baiser lipstick. According to Alan Riding of the New York Times, "everything he did, he evoked the glamour and style of the world of high fashion".

Gruau's pictures were the advertisements of the time and gave marketing and presentation of clothing a new brilliant flare.
Gruau's first position as artistic director for advertising was in 1947 with Christian Dior. The two together formed the "New Look" of the time, partially a result of Dior's designs, and partially a result of Gruau's combined interpretation and upgrading of old-style graphic illustration. Gruau formed a friendship with Dior that contributed to their successful collaboration and further enlargement of fashion advertisement, which a primary reason he is mostly remembered for his work with Dior.
Gruau moved to the United States in 1948 to work for Vogue and Harper's Bazaar.