tag:blogger.com,1999:blog-48886717042778911412024-03-05T06:43:59.101+01:00Illustration & Brand Building"Drawings are not about lines. They are about ideas. The line is your idea."Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.comBlogger78125tag:blogger.com,1999:blog-4888671704277891141.post-39874785787857968692015-06-29T22:42:00.002+02:002015-06-29T22:51:50.146+02:00Cannes Lions Press 2015 Grand Prix, “Never Stop Riding” (illustrator Arthur D'Araujo) <div class="MsoNormal">
<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The <b>Cannes Lions
Press Grand Prix for 2015</b> has gone to “Never Stop Riding”, a campaign hand-drawn
by Brazilian illustrator <span style="color: blue;"><b>Arthur D'Araujo</b></span> for The Public Bike System of Buenos
Aires.</span><o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">To communicate the
new 24-hour availability of the bikes (like many cities in the world, Buenos
Aires has a public bicycle system, but until this year, the system was
operating only from 8:00 a.m. to 8:00 p.m.), the campaign uses illustrations to
portray the wheels of a bike as partners in a constant chase – a baby chasing a
breast, a dog chasing its tail, moths chasing a light bulb, and a squirrel
chasing a chestnut.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;">Each ad
incorporates a hand-drawn typeface for the tagline, “The Buenos Aires Public
Bike System Now Runs 24/7,” further evoking the movement of a bicycle chain.<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Verdana; mso-hansi-theme-font: major-latin;">Jury
president Pablo del Campo, worldwide creative director, Saatchi & Saatchi,
Argentina noted that the Grand Prix stood out for its freshness, originality
and, ultimately, creative bravery, “There were other great ideas that we loved,
but we thought that this one was the most challenging and farthest away from
the comfort zone.”</span><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;"><o:p></o:p></span></span></div>
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website: <a href="https://arthur-daraujo-ntqd.squarespace.com/">https://arthur-daraujo-ntqd.squarespace.com </a></span><b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Verdana; mso-hansi-theme-font: major-latin;"><o:p></o:p></span></b></div>
Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-31737552874910840672015-05-26T19:52:00.001+02:002015-05-26T19:52:24.581+02:00May 2015, Elise, speed lifedrawing<div class="separator" style="clear: both; text-align: center;">
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-9054043063051261312015-04-06T18:29:00.000+02:002015-04-06T18:29:02.447+02:00March 2015, Paul, speed lifedrawing<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6_QZeI0-vbd-vKsKbMfc8TyfMBNcmQZ45GmhSpnOodiNuB6L0MlJ1B9n1uyBnylgEI6LF2wQVNhQzvOYN1RtRiCKzoQ8cDP4zGXjzYy2LLtvbEOafjB132ileufk8RTzgwJF01Hzxpjp3/s1600/Mars+2015+Nu+Homme+2+Instagram.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6_QZeI0-vbd-vKsKbMfc8TyfMBNcmQZ45GmhSpnOodiNuB6L0MlJ1B9n1uyBnylgEI6LF2wQVNhQzvOYN1RtRiCKzoQ8cDP4zGXjzYy2LLtvbEOafjB132ileufk8RTzgwJF01Hzxpjp3/s1600/Mars+2015+Nu+Homme+2+Instagram.JPG" height="640" width="617" /></a></div>
<br />
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-11982853080555324362015-03-08T20:25:00.000+01:002015-03-08T20:28:35.828+01:00OREO<div class="MsoNormal">
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the next phase of “Play with OREO”, the world’s favorite cookie has sought out
10 emerging artists from around and ask them to develop and share creative OREO
expressions of “play” through their art forms.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Courier New"; mso-hansi-theme-font: major-latin;">The
artists were given words to play off—functional ones like "dunk" and
"twist," as well as more emotional ones like "dream" and
"wonder"—and asked to come up with a scene that brings those words to
life. The only requirement was that the scene include a character with the Oreo
cookie wafer as the face/head.<o:p></o:p></span></div>
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will run outdoors in New York, Los Angeles and Indianapolis and shared through
Oreo social channels. <o:p></o:p></span><br />
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Courier New"; mso-hansi-theme-font: major-latin;"><span style="font-family: Arial, Helvetica, sans-serif;">The
featured artists are <b><span style="color: windowtext; text-decoration: none; text-underline: none;">Shotopop,</span>
<span style="color: windowtext; text-decoration: none; text-underline: none;">Jeff Soto,</span> <span style="color: windowtext; text-decoration: none; text-underline: none;">Ryan Todd,</span> <span style="color: windowtext; text-decoration: none; text-underline: none;">McBess,</span> <span style="color: windowtext; text-decoration: none; text-underline: none;">Andrew
Bannecker,</span> <span style="color: windowtext; text-decoration: none; text-underline: none;">Geoff
McFetridge,</span> <span style="color: windowtext; text-decoration: none; text-underline: none;">Andy
Rementer,</span> <span style="color: windowtext; text-decoration: none; text-underline: none;">Alex Trochut,</span>
<span style="color: windowtext; text-decoration: none; text-underline: none;">Craig & Karl</span> </b>and<b> </b><span style="color: windowtext; text-decoration: none; text-underline: none;"><b>Brosmind</b>.</span></span><o:p></o:p></span><br />
<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Courier New"; mso-hansi-theme-font: major-latin;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: windowtext; text-decoration: none; text-underline: none;"><br /></span></span></span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Calibri;">Andrew Bannecker:</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDaM2U3RTfyMWo8C5aWMGMTwnDkuApyyLogBeOrmq6Tls7kJXqMXhebcGjb12KxHijaeDb5wXNsmlhcQBisn3qX4wcgtqqVu4E1j-Q8pd_pJVKAEeejY8wHzRUYcoVjLTkFFycioaLH6w7/s1600/Andrew+Bannecker+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2225_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDaM2U3RTfyMWo8C5aWMGMTwnDkuApyyLogBeOrmq6Tls7kJXqMXhebcGjb12KxHijaeDb5wXNsmlhcQBisn3qX4wcgtqqVu4E1j-Q8pd_pJVKAEeejY8wHzRUYcoVjLTkFFycioaLH6w7/s1600/Andrew+Bannecker+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2225_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Andy Rementer:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg374NlWZOTX5A7ycE4yV5zJtLWOszg2jBwz3jc6jin3Rc9IU7zQR8OpRLgbICIeNSDqKeMEHrpGLP5aIkn_AM3OdX3dpCmFRPSXajeccu1ZEQRAR2V7cOcLPpfiJL4QNFc3qHCCm8JxznS/s1600/Andy+Rementer+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.222_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg374NlWZOTX5A7ycE4yV5zJtLWOszg2jBwz3jc6jin3Rc9IU7zQR8OpRLgbICIeNSDqKeMEHrpGLP5aIkn_AM3OdX3dpCmFRPSXajeccu1ZEQRAR2V7cOcLPpfiJL4QNFc3qHCCm8JxznS/s1600/Andy+Rementer+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.222_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Brosmind:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyszEcybIZ2EAg7u9iUYXhxfHCJdZmPJkqKfPKybmSwiqJokmrcmAlgEcNn9H4imqbmTVxNVen2zAHcqNjNLEekl4JBfr3atJgS3MNUzMn2JPbxrYmqgoCdU_5ZoAexKSIRNic9G1BjQVv/s1600/Brosmind+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.22211_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyszEcybIZ2EAg7u9iUYXhxfHCJdZmPJkqKfPKybmSwiqJokmrcmAlgEcNn9H4imqbmTVxNVen2zAHcqNjNLEekl4JBfr3atJgS3MNUzMn2JPbxrYmqgoCdU_5ZoAexKSIRNic9G1BjQVv/s1600/Brosmind+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.22211_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Brosmind:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbnmSluGWVQw6qrmYi54GDnUaLp9vcjFN9zoFm1L_AjsmhPc8fS6QTnptEyqR52TPGmT8xw6D8AiYLNqvl498rD1UWZppolmI1je6vdIAf_mEKM1PTYtBLuMr6Qaoi1hvcPZCkGkGy2JMF/s1600/Brosmind+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2226_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbnmSluGWVQw6qrmYi54GDnUaLp9vcjFN9zoFm1L_AjsmhPc8fS6QTnptEyqR52TPGmT8xw6D8AiYLNqvl498rD1UWZppolmI1je6vdIAf_mEKM1PTYtBLuMr6Qaoi1hvcPZCkGkGy2JMF/s1600/Brosmind+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2226_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Craig & Karl:</span><br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNTKpQqunfe7efp-78mqbe0g77DOM5oxeIJ3ejvQkP6rLJQJpoyvhHDgThyphenhyphengFGCNSiaTj1vXPZ7bGinATmy9OEfppwMkZV3erIH6j112aWxiZ912BtUVRNVTehUMD5mJTDUlJNv8GzfIV-/s1600/dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2228_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNTKpQqunfe7efp-78mqbe0g77DOM5oxeIJ3ejvQkP6rLJQJpoyvhHDgThyphenhyphengFGCNSiaTj1vXPZ7bGinATmy9OEfppwMkZV3erIH6j112aWxiZ912BtUVRNVTehUMD5mJTDUlJNv8GzfIV-/s1600/dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2228_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Geoff McFetridge:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVG4l7Zl6R8EltH2RovkuZELnh30o8vtmbi5p5qasIL1-yuziE0c9iTCb9-dsq0UCIedaPAybw77NfDFVkUAuqEOUgm6l7Lmj8-JPOQkRS3K2qL5TjqSrx72Ss6bdn_CuxOI8PwgJeYTb0/s1600/Geoff+McFetridge+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2223_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVG4l7Zl6R8EltH2RovkuZELnh30o8vtmbi5p5qasIL1-yuziE0c9iTCb9-dsq0UCIedaPAybw77NfDFVkUAuqEOUgm6l7Lmj8-JPOQkRS3K2qL5TjqSrx72Ss6bdn_CuxOI8PwgJeYTb0/s1600/Geoff+McFetridge+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2223_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Jeff Soto:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQi0-Kd7EjYxmj97_jW5mLmktlmwbaR_1-Ilyv2-v-QYbwnEILx5zvCSTJNHH3JXjXtZ5qG60ecw24TsYZAqnrI86jyCcRjj4SM-Bs-B3Y139zvipTdXjuQSsrttD9Z1hdDvWNW3X03t5E/s1600/Jeff+Soto+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2224_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQi0-Kd7EjYxmj97_jW5mLmktlmwbaR_1-Ilyv2-v-QYbwnEILx5zvCSTJNHH3JXjXtZ5qG60ecw24TsYZAqnrI86jyCcRjj4SM-Bs-B3Y139zvipTdXjuQSsrttD9Z1hdDvWNW3X03t5E/s1600/Jeff+Soto+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2224_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">McBess:</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4irru74I4rdQNiC8bVRITnhG5S3N0PnKspIOxqHc59tYigBX2GcneDNi7zc-aR6_mqJEwdQn28kgXoEt3szaxl8hp8ReLpZV8XswcgqERMLz2BEDdHHKXm42QmyXpRvPm0JIaND5fGW9u/s1600/McBess+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.22212_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4irru74I4rdQNiC8bVRITnhG5S3N0PnKspIOxqHc59tYigBX2GcneDNi7zc-aR6_mqJEwdQn28kgXoEt3szaxl8hp8ReLpZV8XswcgqERMLz2BEDdHHKXm42QmyXpRvPm0JIaND5fGW9u/s1600/McBess+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.22212_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Ryan Todd:</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQyqcq1j4fR0IHlpe_7xBuKwA8e46RZdD4N4zRDCueDk-7DqoX-PIOMflH5Tebv-fGgNF12WB24k9ChKfjaqQ5oWWWA2Lhl_w_wnhCusCYJZ7JU13Y2yV-fRORf0B825jSoBPgxRM4hy39/s1600/Ryan+Todd+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2227_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQyqcq1j4fR0IHlpe_7xBuKwA8e46RZdD4N4zRDCueDk-7DqoX-PIOMflH5Tebv-fGgNF12WB24k9ChKfjaqQ5oWWWA2Lhl_w_wnhCusCYJZ7JU13Y2yV-fRORf0B825jSoBPgxRM4hy39/s1600/Ryan+Todd+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2227_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Ryan Todd:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkAUNaqxvxTVBCuczGQWEtjJYI9PEIUrZZ4V_9PY4b6elIvr0MnF2fEVIc2_jJ1mrK5H0HU9HyoCWKvwmc2Pp14W6IlvWQ8zHs6dBNckVOWlpccMvjV5kwRkPVI-Dsv3t4KXSQ5Z4vKtPi/s1600/Ryan+Todd+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2229_aotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkAUNaqxvxTVBCuczGQWEtjJYI9PEIUrZZ4V_9PY4b6elIvr0MnF2fEVIc2_jJ1mrK5H0HU9HyoCWKvwmc2Pp14W6IlvWQ8zHs6dBNckVOWlpccMvjV5kwRkPVI-Dsv3t4KXSQ5Z4vKtPi/s1600/Ryan+Todd+dunk_3451a0018_oreo_heads_ooh_ny_trnst_shltr_std_23.62522x34.2229_aotw.jpg" height="640" width="442" /></a></div>
<span style="font-family: Calibri;">Shotopop:</span><br />
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-39503306597251845682015-02-14T18:24:00.002+01:002015-02-14T18:24:57.081+01:00February 2015, Faustine, speed drawing<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMyLd3KfJZpUEYIj1lY-34uskGN4-EGBQpNuMtUGnY84VJDaPhLzPT9Mn6HTq2gAGPOYsrw5EpDn-VQYdylAkz-Jq538UuDeYhanGibf7cSLIoeAFghwYEt610fO8G4HQqnrPvBLu1yG-I/s1600/Double%CC%81+nue+020215+BD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMyLd3KfJZpUEYIj1lY-34uskGN4-EGBQpNuMtUGnY84VJDaPhLzPT9Mn6HTq2gAGPOYsrw5EpDn-VQYdylAkz-Jq538UuDeYhanGibf7cSLIoeAFghwYEt610fO8G4HQqnrPvBLu1yG-I/s1600/Double%CC%81+nue+020215+BD.jpg" height="500" width="640" /></a></div>
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-92019260433094922082015-01-17T12:51:00.001+01:002015-01-17T12:51:42.129+01:00Jameson's ‘Good Workers, Great Whiskey’ new limited edition<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="color: #343434; font-family: Arial;">The ‘Good Workers, Great Whiskey’ limited edition celebrates the
craftspeople at the Midleton Distillery and the key elements of the Jameson
production process. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlTM_Sg9pCugPsPofo1DzCuY-l1FNrkj-7itFkVl69bSoM-CW2WEgDCs9cPuXrMWRG2mhj0MO2l6pL15dpOQP5HJyqYChPnDPQ2LDyimRVmg7gJaInMBdjDbLYm1XlIbFRcEuErDXZuGgX/s1600/Jameson+Good+Workers+Great+Whiskey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlTM_Sg9pCugPsPofo1DzCuY-l1FNrkj-7itFkVl69bSoM-CW2WEgDCs9cPuXrMWRG2mhj0MO2l6pL15dpOQP5HJyqYChPnDPQ2LDyimRVmg7gJaInMBdjDbLYm1XlIbFRcEuErDXZuGgX/s1600/Jameson+Good+Workers+Great+Whiskey.jpg" height="640" width="428" /></a></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="color: #343434; font-family: Arial;">Commenting on the new packaging, Daniel Lundberg, Global Brand
Director for Jameson Irish Whiskey, said: </span><i style="color: #343434; font-family: Arial;">“Jameson represents the
benchmark for quality and consistency in the Irish Whiskey category; a vision
that was laid down by John Jameson and realised to this day by the hard work,
dedication and passion of the generations of workers at Jameson’s Bow St and Midleton
Distilleries. Innovation remains at the core of all Jameson’s award-winning
marketing activity and the Good Workers, Great Whiskey limited edition carton
follows suit by marrying together the stories of our distillery workers
and production techniques through a modern, contemporary
design."</i></div>
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<span style="color: #343434; font-family: Arial;">The
Jameson ‘Good Workers, Great Whiskey’ limited edition bottling is available now
worldwide from specialist retailers.<span style="font-size: 13pt;"><o:p></o:p></span></span></div>
Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-52967453122665378852015-01-04T16:28:00.001+01:002015-01-04T16:28:40.771+01:00December 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqijdllZPs4oybnib_GQT4Yl_oJPHl0f5p1VGoZjxp2zhHJ4wAlhK2-Tw8_UJOy7wnc3L6fLLnkHxYG-dyx9JQ79QhnJb-usdVwEiIgyD7LJmZKPpJl7q1Hl3_7fwsEIdk7k60O8S6Y25a/s1600/Dec+2014+INV.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqijdllZPs4oybnib_GQT4Yl_oJPHl0f5p1VGoZjxp2zhHJ4wAlhK2-Tw8_UJOy7wnc3L6fLLnkHxYG-dyx9JQ79QhnJb-usdVwEiIgyD7LJmZKPpJl7q1Hl3_7fwsEIdk7k60O8S6Y25a/s1600/Dec+2014+INV.JPG" height="640" width="482" /></a></div>
<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-29299492667169426462014-12-27T18:26:00.002+01:002014-12-27T18:30:32.626+01:00COMMUNICATION : LE RETOUR EN GRÂCE DU DESSIN & DE L'ILLUSTRATION (Stratégies magazine)<h1 class="titre_22 size_change" style="font-family: 'FranklinGothicW01-Extra 692515' !important; font-size: 25px !important; font-weight: normal; line-height: 1.3em; margin: 0px; padding: 0px; text-transform: uppercase;">
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DIALOGUE. Christophe Coffre, coprésident et directeur de la création de Havas Paris, et Michel Bouvet, graphiste, se trouvaient cet été aux Rencontres de la photographie d'Arles. Stratégies a choisi de les faire dialoguer sur les relations complexes entre graphisme et publicité en France.</h2>
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<a href="http://www.strategies.fr/content/pages_ajax/get_visu_image_article.php?image=244300" rel="facebox" style="border: 0px; display: block;"><img alt="
" border="0" src="http://www.strategies.fr/app/image_cms_slider.php?height=320&width=480&image_uri=/content/STRATS/mmas/images/24/244300/.bin.WEBFS.strats-image-244300.jpeg" style="display: block; left: 0px; position: absolute; text-decoration: none; top: 0px; vertical-align: text-bottom; z-index: 1;" title="
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© William Parra</div>
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<strong>Quelle est la place du graphisme dans la publicité en France aujourd'hui ?</strong></div>
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<strong>Christophe Coffre.</strong> Alors qu'à une époque, notamment dans les années 1980, il n'y avait que peu de publicités illustrées, je trouve qu'aujourd'hui, elles font de plus en plus appel au graphisme et à l'illustration, comme celles de La Petite robe noire de Guerlain [CLM BBDO], la Nouvelle Twingo [Publicis Conseil], les films de Canal+ [BETC] ou McDonald's [TBWA Paris]. Ce sont des campagnes singulières, qu'on remarque.</div>
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<strong>Michel Bouvet.</strong> Je trouve que la campagne illustrée de l'eau pétillante La Salvetat [BETC] est remarquable. </div>
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<strong>Comment expliquer ce retour en grâce ?</strong></div>
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<strong>C.C.</strong> Plusieurs phénomènes peuvent l'expliquer, comme l'éclosion du street art, qui a contribué à développer ces tendances. Les films animés ont aussi joué un rôle. Alors qu'avant, il y avait une mainmise de Disney sur la chose illustrée, lui donnant une perception enfantine, l'émergence de réalisateurs comme Hayao Miyazaki a changé la perception de l'illustration. Désormais, elle n'est plus considérée comme s'adressant exclusivement aux enfants. Le développement de la bande dessinée, avec le festival d'Angoulême, peut aussi être une des raisons de ce nouvel engouement. </div>
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<strong>Quels ont été les premiers annonceurs à s'être lancés dans la publicité illustrée ?</strong></div>
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<strong>C.C.</strong> Ce sont principalement des associations ou des ONG, comme Aides ou la Fondation EDF, qui se sont au début lancées dans cette mouvance. La force illustratrice donnait du recul à leurs campagnes et permettait d'aborder des sujets sensibles, de raconter des histoires difficiles. </div>
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<strong>Quelles sont les appréhensions des annonceurs ?</strong></div>
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<strong>C.C.</strong> Les clients veulent quelque chose de différent mais qui a déjà marché. Or, si je présente le travail d'un graphiste à un client, il n'a en général jamais réalisé de publicité. Il faut donc que le client ait le courage d'accepter de lui confier la réalisation de sa publicité sans savoir ce dont il est capable. Les clients ont aussi peur de ne pas pouvoir contrôler le graphiste et qu'il impose une prise de pouvoir de la forme sur le fond. De manière générale, une publicité illustrée représente une prise de risque pour les annonceurs, car leur but est de vendre leur produit, et pour cela, ils veulent le montrer tel qu'il est. Alors que la photographie est considérée comme «un reflet de la réalité», le graphisme peut la transformer, l'interpréter et développer davantage la part de l'imaginaire et de l'émotionnel. Avec du graphisme, il faut un laisser-aller émotionnel.</div>
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<strong>Les annonceurs sont-ils donc les seuls coupables de ce désamour entre publicité et graphisme ?</strong></div>
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<strong>M.B.</strong> Les graphistes aussi sont coupables! A partir des années 1970, ils ont considéré que travailler avec les marques ou les entreprises était incompatible avec leur vision. C'était comme travailler avec le diable pour certains d'entre eux. Puis, dans les années 1980, avec le doublement du budget pour la culture, un nouveau marché s'est ouvert aux graphistes : les institutions publiques culturelles. Un fossé idéologique s'est alors creusé puisque les graphistes s'occupaient de culture, en réalisant par exemple la signalétique des musées, mais ne s'impliquaient pas dans la vie économique. Pour autant, aujourd'hui, il y aurait en France entre 80 000 et 120 000 graphistes contre 8 000 en 1992. Ce n'est donc plus possible que les graphistes travaillent uniquement pour des acteurs culturels, qui ont de moins en moins de moyens. </div>
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<strong>Alors qu'à l'origine, les affiches publicitaires étaient toutes illustrées, comment en sommes-nous arrivés aujourd'hui à avoir un espace publicitaire quasi uniquement dominé par la photographie ?</strong></div>
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<strong>C.C.</strong> Avant tout, il faut rappeler que la publicité est le reflet de la société : le graphisme a la même place dans la publicité qu'il occupe dans notre société. Or, en France, nous avons un côté très ingénieur. Par exemple, au lycée, la filière scientifique est mise en avant. L'éducation de l'œil n'existe pas. Nous n'avons plus d'armes pour décrypter une image illustrée.</div>
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<strong>M.B.</strong> Il y a en effet un contexte spécifique à la France, qui n'a pas intégré la notion de design dans son quotidien. Si la majorité des Français savent lire et écrire, ils sont en revanche incapables de décrypter l'image illustrée, qui a perdu de son aura avec l'essor de la photo couleur dans les années 60. Il y a un vrai problème d'éducation artistique. De manière plus globale, en France, il y a eu une disparition du graphisme appliqué à la vie quotidienne. Concrètement, ça s'est traduit par une baisse flagrante de l'estéthique que ce soit pour les enseignes de magasins, les conditionnements des produits ou les menus de restaurant. Autre exemple : le chaos visuel qu'on voit à l'entrée des villes françaises. Il devrait y avoir une conférence sur l'environnement visuel.</div>
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<div class="question" style="font-weight: bold; margin-top: 6px; padding: 0px;">
<strong><br />Est-ce que le graphisme se porte mieux dans d'autres pays ?</strong></div>
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<strong>M.B. </strong>En Scandinavie, en Italie, aux Pays-Bas ou en Allemagne, le design, et donc le graphisme, est considéré comme une composante transversale. Il est intégré dans leur culture. Au Japon aussi, tout est designé, jusqu'au ticket de métro à Tokyo qui est presqu'un objet d'art. Les éléments du quotidien, comme le packaging des produits, y sont stylisés et travaillés. Pour autant, ce n'est pas du design pour du design, les graphistes pensent au côté pragmatique sans oublier le côté esthétique. En France, pour le packaging, seul Monoprix propose une image respectueuse de l'environnement visuel tout en étant clair pour les consommateurs. Pour autant, j'espère que l'emploi du dessin va revenir dans l'Hexagone. Il est de retour dans l'art contemporain, alors pourquoi pas dans la publicité?</div>
<div class="conteneur_texte_rubriques_sans_border texte_noir_12_bold" style="float: left; font-size: 13px; font-weight: bold; line-height: normal; margin: 14px 0px 0px; padding: 0px 0px 1px; width: 476px;">
Océane Redon</div>
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Information traitée dans Stratégies Magazine n°1783 (Octobre 2014)</div>
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Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-41488229900135261722014-11-02T15:13:00.001+01:002014-11-02T15:13:30.769+01:00MELBOURNE METRO, "Dumb Ways to Die" - Halloween Trick & Valentine's Day sequels<div class="google_elide" style="border: 0px; line-height: 24px; margin-top: 10px; padding: 0px; vertical-align: baseline;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">"Dumb Ways to Die," the appraised Australian train-safety campaign from 2012 (91 million YouTube views + <span style="line-height: 18px;">all-time most awarded campaign in Cannes Lions' history: 5 Grand Prix, 18 Gold Lions, 3 Silver Lions, 2 Bronze Lions...)</span> has done a couple of cutes encores for special occasions. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">First, a Valentine's Day ad, a couple of months ago.</span></div>
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<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/GaAgtwbZV_E/0.jpg" height="266" width="320"><param name="movie" value="https://youtube.googleapis.com/v/GaAgtwbZV_E&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://youtube.googleapis.com/v/GaAgtwbZV_E&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<div class="google_elide" style="border: 0px; font-size: 16px; line-height: 24px; margin-top: 10px; padding: 0px; vertical-align: baseline;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">And now, a little Halloween special.</span></div>
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<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/3gt_a-pGZow/0.jpg" height="266" width="320"><param name="movie" value="https://youtube.googleapis.com/v/3gt_a-pGZow&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://youtube.googleapis.com/v/3gt_a-pGZow&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<div class="google_elide" style="border: 0px; line-height: 24px; margin-top: 10px; padding: 0px; vertical-align: baseline;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 19px;">Fans can choose whether they prefer death by trick or death by treat. The message: all ways are better than dying from an easily avoided train accident</span>. "Be safe around Halloween ... and trains," says the copy.</span></div>
<div class="google_elide" style="border: 0px; margin-top: 10px; padding: 0px; vertical-align: baseline;">
<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">The video uses the characters and style from Julian Frost’s 2012 original campaign: </span><a href="http://cedricpetit.blogspot.fr/2013/06/melbourne-metro-trains-dumb-ways-to-die.html"><span style="line-height: 19px;">click</span><span style="line-height: 19px;"> for details and full analysis of Julian's work.</span></a></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Agency: McCann Melbourne.</span></div>
Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-5037681976977230052014-09-21T15:01:00.002+02:002014-09-21T15:01:46.089+02:00September 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7w2PrShGuhX818MPEaNYMSECA5lBIu1v0fDChyphenhyphenCk95t75oWT1K5Rs_Zi5tCok9EibAtpPw6LuiDJn1p6a0zmR1c9K04WiG8vywVFJDAdKeG9VfBCELr3WCE00HJqHiVLbIgunk5Aep6xy/s1600/Baigneuse,+JC+Marin+210814+double+Insta+Light.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7w2PrShGuhX818MPEaNYMSECA5lBIu1v0fDChyphenhyphenCk95t75oWT1K5Rs_Zi5tCok9EibAtpPw6LuiDJn1p6a0zmR1c9K04WiG8vywVFJDAdKeG9VfBCELr3WCE00HJqHiVLbIgunk5Aep6xy/s1600/Baigneuse,+JC+Marin+210814+double+Insta+Light.JPG" height="640" width="640" /></a></div>
<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-59790393383456149352014-09-08T20:05:00.001+02:002014-09-08T20:10:53.482+02:00Faber-Castell's Graphite Aquarelle, "Just Add Water" campaign (illustrator: Redmer Hoekstra)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial; font-size: 11.5pt; line-height: 115%;">OgilvyOne Hong Kong has revealed "</span><span style="color: blue; font-family: Arial; font-size: 11.5pt; line-height: 115%;">Just Add Water"</span><span style="font-family: Arial; font-size: 11.5pt; line-height: 115%;">, a </span><span style="color: blue; font-family: Arial; font-size: 11.5pt; line-height: 115%;">print ad
campaign</span><span style="font-family: Arial; font-size: 11.5pt; line-height: 115%;"> for <span style="color: blue;">Faber-Castell's new pencil collection, Graphite Aquarelle</span>.
The new water-soluble graphite pencil allows artists to turn sketches into
stunning watercolour paintings by simply adding water with a brush.</span><br />
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<span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; line-height: 115%;"><br /></span></span>
<span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; line-height: 115%;">Collaborating with Netherlands-based illustrator <span style="color: blue;">Redmer Hoekstra</span>, a series of 3
illustrations using Graphite Aquarelle have been created, demonstrating the
pencil's quiet power. Each sketch illustrates a two-dimensional world, with a
simple object above water and magical watercolour scene beneath the surface,
illustrating</span></span><span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; line-height: 115%; mso-ansi-language: NL;"> </span></span><span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; line-height: 115%;">both techniques created by the same pencil in one
single artwork.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL0J8OQ4YFyr3ioKazkGf1AVObuE9s48fZXSr9uX3P9NB_TlRnLmQTPkiuRl_sFoi2aoCNwFiG1jDDiIzuJw58Mwo9PYDDjKd7dff137ype5HPAUQTYgI48imrZkrnlvfhc9p2rpYmy_Bu/s1600/Faber-Castell+Water+Soluble+Graphite+Pencil+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL0J8OQ4YFyr3ioKazkGf1AVObuE9s48fZXSr9uX3P9NB_TlRnLmQTPkiuRl_sFoi2aoCNwFiG1jDDiIzuJw58Mwo9PYDDjKd7dff137ype5HPAUQTYgI48imrZkrnlvfhc9p2rpYmy_Bu/s1600/Faber-Castell+Water+Soluble+Graphite+Pencil+1.jpg" height="640" width="451" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP-pCl5PiFpANl9x3GM45ns1qXe3c0Eubo-YCxMLrzfwhdSy3dzdOsP_dKxL3zOaVoyoCnINLmuniVV1xNxSpZ0t2Tc2dbZq1ZWAqDGDM8sW01n4cASBi-0FzwK_M5COpoSPx2YA_LaeGG/s1600/Faber-Castell+Water+Soluble+Graphite+Pencil+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP-pCl5PiFpANl9x3GM45ns1qXe3c0Eubo-YCxMLrzfwhdSy3dzdOsP_dKxL3zOaVoyoCnINLmuniVV1xNxSpZ0t2Tc2dbZq1ZWAqDGDM8sW01n4cASBi-0FzwK_M5COpoSPx2YA_LaeGG/s1600/Faber-Castell+Water+Soluble+Graphite+Pencil+2.jpg" height="640" width="452" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSSu3OG88SbzPACBKoCCKDEWv40H_qJcfcXVZOQdwrRT0LvLLXeFW_ZHfUStRJyos0QngGJDE6KjOSlXhC1nrIQSk17b6PUdSo17Yg2VIXaw3aIo64fcyqiTQcJjUR1S7wPR-MfEmZRxRj/s1600/Faber-Castell+Water+Soluble+Graphite+Pencil+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSSu3OG88SbzPACBKoCCKDEWv40H_qJcfcXVZOQdwrRT0LvLLXeFW_ZHfUStRJyos0QngGJDE6KjOSlXhC1nrIQSk17b6PUdSo17Yg2VIXaw3aIo64fcyqiTQcJjUR1S7wPR-MfEmZRxRj/s1600/Faber-Castell+Water+Soluble+Graphite+Pencil+3.jpg" height="640" width="452" /></a></div>
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<span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; line-height: 115%;">
<br /><span style="font-size: 11.5pt; line-height: 115%;">"<i>The juxtaposition of two worlds allows us to demonstrate the pencil's
dual power,</i>" said Nicoletta Stefanidou, Creative Director, OgilvyOne Hong
Kong. "<i>Working alongside Redmer Hoekstra, we have brought Graphite
Aquarelle to life, with remarkable artwork. </i></span><span style="color: blue; font-size: 11.5pt; line-height: 115%;"><i>It's not
often that you're able to literally use the product to create the ad.</i></span><span style="font-size: 11.5pt; font-style: normal; line-height: 115%;">"</span><o:p></o:p></span></span></div>
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<!--StartFragment-->
<!--EndFragment--><br />
<div class="MsoNormal">
<span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; font-style: normal; line-height: 115%; mso-ansi-language: NL; mso-bidi-font-style: italic;">OgilvyOne’s campaign will be launched both
in-stores and in selected OOH locations around Hong Kong, as well as online.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; font-style: normal; line-height: 115%; mso-ansi-language: NL; mso-bidi-font-style: italic;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-family: Arial; font-size: 15px; line-height: 17px;">Faber-Castell's Graphite Aquarelle tutorial:</span><span style="color: blue; font-family: Arial; font-size: 15px; line-height: 17px;"> </span></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/xZznsXQwrDU?feature=player_embedded' frameborder='0'></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="MsoNormal">
<span class="normal-c-c21"><b style="mso-bidi-font-weight: normal;"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; font-style: normal; line-height: 115%; mso-ansi-language: NL; mso-bidi-font-style: italic;">About
the illustrator:<o:p></o:p></span></b></span></div>
<div class="MsoNormal">
<span class="normal-c-c21"><b style="mso-bidi-font-weight: normal;"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; font-style: normal; line-height: 115%; mso-ansi-language: NL; mso-bidi-font-style: italic;"><br /></span></b></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="normal-c-c21"><span lang="NL" style="color: blue; font-family: Arial; font-size: 11.5pt; font-style: normal; mso-ansi-language: NL; mso-bidi-font-style: italic;">Redmer Hoekstra</span></span><span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; font-style: normal; mso-ansi-language: NL; mso-bidi-font-style: italic;"> (born 1982) graduated from the Art Academy in
Zwolle (Netherlands) as a visual artist and illustrator in 2009 .<o:p></o:p></span></span></div>
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<span lang="NL" style="font-family: Arial; font-size: 11.5pt;"><br />
<span class="normal-c-c21"><span style="font-family: Arial;"><i>"I've always
loved alienation and fantasizing, daydreaming. As a child I had all kinds of
theories about how</i></span></span></span><span lang="NL" style="font-family: Arial; font-size: 11.5pt; mso-ansi-language: NL; mso-bidi-font-style: italic;"><i> <span class="normal-c-c21"><span style="font-family: Arial;">the world worked. At the
Academy I was able to rediscover this and process this in to my work. How
things work is a fascination of mine and in many drawings you can find this. I
open up appliances and objects and freely change what is inside . Often a
subject gets a completely different feeling or meaning. I play with form,
meaning and function, while new combinations arise.</span></span> <span class="normal-c-c21"><span style="font-family: Arial;">Often surprising, strange
and funny but also with a strange kind of logic, a fantastic and surreal world.
I find my inspiration riding the train or on the road, where my mind can float
through the landscape and new connections between things appear. A
philosophical view of the world and myself . <o:p></o:p></span></span></i></span></div>
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<i><span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; mso-ansi-language: NL;">Who am I? </span></span><span lang="NL" style="font-family: Arial; font-size: 11.5pt; mso-ansi-language: NL; mso-bidi-font-style: italic;"><br />
<span class="normal-c-c21"><span style="font-family: Arial;">What is my reality and
how do I get to decide how it looks and works?</span></span><br />
<span class="normal-c-c21"><span style="font-family: Arial;">They are pen drawings
on paper. I work with fine liners . By shading I create light and space, which
gives</span></span> <span class="normal-c-c21"><span style="font-family: Arial;">a
drawing life. It is important to draw as realisticly as possible, to make the
alienation most powerful. It’s a laborious and almost artisanal technique. A
drawing on average takes 32 to 40 hours</span></span></span><span class="normal-c-c31"><span lang="NL" style="font-family: Arial; font-size: 12.0pt; mso-ansi-language: NL;">.</span></span></i><span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; mso-ansi-language: NL;">"<o:p></o:p></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoARfb7AXD0VSko37Gz5Mlid_xhGA3FC9AhQTBh5Y6ze4FtdvfcYZJpl8mAJ_wQWs9XEjlk_FkyE_GdzoYBe0UUFRPXovcTHX70bEu2oS6L6bolfofkZfJQK5OQnM6nqqi323cS4z0Dx_I/s1600/beeatrix.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoARfb7AXD0VSko37Gz5Mlid_xhGA3FC9AhQTBh5Y6ze4FtdvfcYZJpl8mAJ_wQWs9XEjlk_FkyE_GdzoYBe0UUFRPXovcTHX70bEu2oS6L6bolfofkZfJQK5OQnM6nqqi323cS4z0Dx_I/s1600/beeatrix.jpg" height="640" width="480" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1KjvGJc90iZudO2o00HtrDJz4wcmFhhARDxiPoHgrSovIX_GbSeBd3MXcvRUY037ueJpcgP_Ec8G3WSIyeLCNnK1JsoGTK27akJmPbyIoGkQ7PJZaynVWP-NWnqBAgJCYujGvZhWFlzzS/s1600/tegelpadden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1KjvGJc90iZudO2o00HtrDJz4wcmFhhARDxiPoHgrSovIX_GbSeBd3MXcvRUY037ueJpcgP_Ec8G3WSIyeLCNnK1JsoGTK27akJmPbyIoGkQ7PJZaynVWP-NWnqBAgJCYujGvZhWFlzzS/s1600/tegelpadden.jpg" height="480" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXijfsRTtfq0GCsz4TkDW5QImF5CNKx96bXVGrOVZ6a9zHBFtcihXrWEI7buFeCOqVkAZKuuV_mvv2gx1-4ILXefvpH8YuyvHN6SKk8lU_1cS_f2lGBoyG6FzqPkRCRfhFOFHpYg4PTqEC/s1600/konijn-vlinderstrik.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXijfsRTtfq0GCsz4TkDW5QImF5CNKx96bXVGrOVZ6a9zHBFtcihXrWEI7buFeCOqVkAZKuuV_mvv2gx1-4ILXefvpH8YuyvHN6SKk8lU_1cS_f2lGBoyG6FzqPkRCRfhFOFHpYg4PTqEC/s1600/konijn-vlinderstrik.jpg" height="640" width="480" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIlpqM9HPxXL13UvcNKNSxngNkHzDXc2UYFsgmx1JTtJir3cw0_AT-1Nzh_3XF31zplxECNOVgvE3o817gm1PUm7AwAXubim6GsBSdmxJaCktPEaT263-Yg-TiB4HpiFjA13_4T2gDBSRk/s1600/rhinoship.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIlpqM9HPxXL13UvcNKNSxngNkHzDXc2UYFsgmx1JTtJir3cw0_AT-1Nzh_3XF31zplxECNOVgvE3o817gm1PUm7AwAXubim6GsBSdmxJaCktPEaT263-Yg-TiB4HpiFjA13_4T2gDBSRk/s1600/rhinoship.jpg" height="640" width="480" /></a></div>
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<span class="normal-c-c21"><span lang="NL" style="font-family: Arial; font-size: 11.5pt; mso-ansi-language: NL;"><br /></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Arial; font-size: 15px;">Redmer Hoekstra's website: </span><a href="http://www.redmerhoekstra.nl/" style="font-family: Arial;"><span style="font-size: x-small;">http://www.redmerhoekstra.nl/</span></a></div>
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Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-32106473259493179582014-07-27T19:54:00.001+02:002014-07-27T19:54:05.635+02:00July 2014<div class="separator" style="clear: both; text-align: center;">
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-51232596686346777872014-06-15T20:15:00.002+02:002014-07-27T19:55:37.975+02:00June 2014<div class="separator" style="clear: both; text-align: center;">
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-91677625776295868322014-05-24T19:25:00.002+02:002014-05-24T19:40:06.494+02:00Hennessy unveils new Limited Edition by Shepard Fairey<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Following releases with the Os Gêmeos, Kaws and Futura, <span style="background-color: white;"><span style="color: blue;"><b>Hennessy</b> </span></span>continues its Artist Bottle
Series with a new collaborative bottle of their V.S. cognac with legendary
street artist, <b><span style="color: blue;">Shepard Fairey</span></b>. He designs his own custom labeling for a limited
run of bottles.<o:p></o:p></span></div>
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<b>Shepard Fairey</b><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"> (born February 15, 1970) is an American
contemporary street artist, graphic designer activist and illustrator who
emerged from the skateboarding scene. He first became known for his "<b>Andre
the Giant Has a Posse</b>" sticker campaign, in which he appropriated images
from the comedic supermarket tabloid </span><i>Weekly World News</i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The threat
of a lawsuit from Titan Sports, Inc. in 1994 spurred Fairey to
stop using the trademarked name André the Giant, and to create a more iconic
image of the wrestler's face, now most often with the equally iconic branding
<b>OBEY</b>.</span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Fairey became widely known during the </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">2008 U.S.
presidential election</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"> for his </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Barack Obama
"Hope" poster</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">. </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">The New Yorker</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">
art critic </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Peter Schjeldahl</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">
called the poster "the most efficacious American political illustration
since "</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Uncle Sam Wants
You".</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lu5MeVmvW1DCSOn1Qtmu0In9EHi0JboCO9O-3qyZfwomz3FRMrjDZX4YQQ3Ch4VKq3oTcuhLXxVMTeVdzFb9aExYUb0vLXY0ou24kHYbatREi4BWcOJc5phdCYs5ZCYMGJIX4PqqRtkP/s1600/obama-hope-shepard-fairey-750x1128.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lu5MeVmvW1DCSOn1Qtmu0In9EHi0JboCO9O-3qyZfwomz3FRMrjDZX4YQQ3Ch4VKq3oTcuhLXxVMTeVdzFb9aExYUb0vLXY0ou24kHYbatREi4BWcOJc5phdCYs5ZCYMGJIX4PqqRtkP/s1600/obama-hope-shepard-fairey-750x1128.jpg" height="640" width="425" /></a></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">The </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Institute of
Contemporary Art, Boston</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"> calls him one of today's best known and
most influential </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">street artists</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">For
more details: <a href="http://www.hennessy.com/us/collection/Shepard-Fairey/">http://www.hennessy.com/us/collection/Shepard-Fairey/</a></span><span style="font-family: Calibri;"><o:p></o:p></span></div>
Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-1879200837366297512014-04-02T09:59:00.002+02:002014-04-02T19:39:21.424+02:00MILTON GLASER (graphic designer & illustrator of MAD MEN's 7th and final season's poster)<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Mad
Men’s 7th season begins on April 13 on AMC.<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>Milton
Glaser </b>(born
June 26, 1929, in New York City), co-founder of <i>New York</i>
magazine and the <b>mind behind the "I Love New York" logo</b>, among many
other iconic designs, who — probably more than any graphic designer of his generation —
forged the sophisticated, exuberant advertising look of the late 1960s, <b>has taken the look he gave
to Bob Dylan and passed it on to <span style="text-decoration: none;">Don Draper</span></b>.</span><span style="color: blue; font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Georgia; mso-hansi-theme-font: major-latin;"><o:p></o:p></span><br />
<span style="font-family: Calibri;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsh8-x9IILIKJfcYnUz-1mXI-rOuJd111cxJJdC2rZzzhAtALtYs-L1awucgyH6gEnhTPR9DC-gqqHnrseRY24UKUqOvz9AzthKqlIRz47KLCzZW9hkec1HCW1sbb6HL6Awhng2KfsvW3h/s1600/milton_glaser.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsh8-x9IILIKJfcYnUz-1mXI-rOuJd111cxJJdC2rZzzhAtALtYs-L1awucgyH6gEnhTPR9DC-gqqHnrseRY24UKUqOvz9AzthKqlIRz47KLCzZW9hkec1HCW1sbb6HL6Awhng2KfsvW3h/s1600/milton_glaser.png" height="371" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="color: #444444; font-family: Helvetica; font-size: x-small;">Above: the "I Love New York" logo, designed by Milton Glaser in 1977</span></div>
<span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif; font-size: 12px; line-height: 17px;"><br /></span>
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<span style="background-color: white; color: #666666; font-family: nyt-cheltenham-sh, georgia, 'times new roman', times, serif; font-size: 12px; line-height: 16px;">“Big Nudes,” Milton Glaser’s 1969 poster for the main gallery of the School of Visual Arts.</span><span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif; font-size: 12px; line-height: 17px;"><br /></span><span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif; font-size: 12px; line-height: 17px;"><br /></span><br />
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<span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif; font-size: 12px; line-height: 17px;">Above: poster included in the Bob Dylan's Greatest Hits album in 1967</span></div>
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<span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif;"><span style="font-size: 12px; line-height: 17px;">Above: Milton Glaser, 2014</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Milton Glaser said his concern was trying to <b>make work that suggested a late-1960s
feel without pillaging his own late-1960s feel</b>. “I haven’t been working this
way for 30 years or so,” he said.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj17LIllqisc91az32L1DByCe-aBv3ouvvu87zyn5S7MS1E0TjEsntE4CUSMIlHcGQ7jMr91A8q7eOXFAWSGLXf0VXuytiZg895xx6p-4Rij2FdFgnrl2fur-3wGIbVPitvEPh1BKTyF98d/s1600/BrooklynBrewingED.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj17LIllqisc91az32L1DByCe-aBv3ouvvu87zyn5S7MS1E0TjEsntE4CUSMIlHcGQ7jMr91A8q7eOXFAWSGLXf0VXuytiZg895xx6p-4Rij2FdFgnrl2fur-3wGIbVPitvEPh1BKTyF98d/s1600/BrooklynBrewingED.png" height="308" width="640" /></a></div>
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<span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif; font-size: 12px; line-height: 17px;">Above: recent works by Milton Glaser (logo & packaging for Brooklyn Brewery, and "Fruit of Labor", 2014 exhibition at the Santa Monica Museum of Art) </span></div>
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<span style="color: #565656; font-family: proxima-nova-1, proxima-nova-2, sans-serif; font-size: 12px; line-height: 17px;">Above: extract of "Ten Things I've Learned", by Milton Glaser.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The Mad Men's poster reads like a <b>sly reappropriation of his past</b>, a
<b>shaggy explosion of color, flowers and Art Nouveau curves </b>on top of which is
the by now familiar back-of-the-head silhouette of Don Draper with his arm
extended over a chair and a cigarette in his hand. What first reads as
abstraction resolves into a profile of a woman’s face, the spire of the Chrysler
Building and a glass into which wine is being poured.</span></div>
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<span style="background-color: white; color: #666666; font-family: nyt-cheltenham-sh, georgia, 'times new roman', times, serif; font-size: 13px; line-height: 17px; text-align: start;">Above: Mad Men's 7th & final season's promotional poster</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6vceSE4ALtKiwY5Kfdoxp4ECuUsSXoqNzTKy06PV12TbHiXb2zlDwuOqSs_eRkMc26UabD7gslqrAB7WyFj4_AGe6vq1woRO5nFOVQUUg0d8WI3XX50kyehyphenhyphenuSgV2uiDLAbOEJZUPZI0R/s1600/milton+glaser+mad+men+poster+3+IIHIH.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6vceSE4ALtKiwY5Kfdoxp4ECuUsSXoqNzTKy06PV12TbHiXb2zlDwuOqSs_eRkMc26UabD7gslqrAB7WyFj4_AGe6vq1woRO5nFOVQUUg0d8WI3XX50kyehyphenhyphenuSgV2uiDLAbOEJZUPZI0R/s1600/milton+glaser+mad+men+poster+3+IIHIH.jpg" height="426" width="640" /></a></div>
<span style="background-color: white; color: #666666; font-family: nyt-cheltenham-sh, georgia, 'times new roman', times, serif; font-size: 13px; line-height: 17px;">Above: The graphic designer Milton Glaser, left, in his Manhattan office with Matthew Weiner, the creator of “Mad Men”</span><br />
<span style="background-color: white; color: #666666; font-family: nyt-cheltenham-sh, georgia, 'times new roman', times, serif; font-size: 13px; line-height: 17px;"><br /></span>
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This is
not the first time Matthew Weiner, the creator of Mad Men, has enlisted the help of artists from that era. For
<b>season 6's promotional poster</b>, which pictured two Don Drapers, almost in a
Jekyll-and-Hyde scenario, Weiner sought out<b> Brian
Sanders</b>, an artist whose work on mid-century promotional ads was
relatively unknown, but remembered by Weiner from his childhood.</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Read more on Brian Sanders' work for Mad Men on this blog: <a href="http://cedricpetit.blogspot.fr/2013/03/brian-sanders-mad-men-season-6-poster.html">link</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3XTBRbObHVyHz5ctfIo0_cd560pvkVeGJzEV1225hf-5f2fqhaU_2UjaKPeutbAZ8sSC7qCCWeBZHCc_CDjjqrm0OMxfJpAYEMdItDaH8_cuQwWBxXOsPU0ZaMg43z5F69O0z1iBFHEN5/s1600/DSC_00251.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3XTBRbObHVyHz5ctfIo0_cd560pvkVeGJzEV1225hf-5f2fqhaU_2UjaKPeutbAZ8sSC7qCCWeBZHCc_CDjjqrm0OMxfJpAYEMdItDaH8_cuQwWBxXOsPU0ZaMg43z5F69O0z1iBFHEN5/s1600/DSC_00251.jpg" height="450" width="640" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">More details on Milton Glaser: </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">. The <i>New York Times</i> met on March 6 2014
with Glaser and show creator Mattew Weiner : <a href="http://www.nytimes.com/2014/03/07/arts/design/mad-men-enlists-the-graphics-guru-milton-glaser.html?_r=1">link</a></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">. Milton Glaser's website: <a href="http://www.miltonglaser.com/">link</a></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">. TED talk, 1998, "using design to make ideas new": <a href="http://www.ted.com/talks/milton_glaser_on_using_design_to_make_ideas_new#t-13063">link</a> </span></div>
Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-36402305278595515892014-03-16T15:22:00.000+01:002014-09-21T14:58:45.597+02:00March 2014<div class="separator" style="clear: both; text-align: center;">
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-77440631560945589612014-01-19T19:05:00.003+01:002014-01-19T19:09:37.243+01:00BERLUTI, "Tribute to Jacques Tati", by illustrator David Merveille & Peter Franklin agency (+ a big touch of Saul Bass)<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="font-family: 'Helvetica Neue';">The House of Berluti pays tribute to the
world of Jacques Tati, the legendary French actor and film director by
redecorating the windows of its new Rue de Sèvres store (former flagship store
of made-to-measure men's clothing company Arnys), along
with the launch of a superb animated video.</span><span style="font-family: Times;"><o:p></o:p></span></div>
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<span style="font-family: 'Helvetica Neue';">The Rue de Sèvres store windows were
redecorated with drawings by the <b><span style="color: blue;">illustrator David
Merveille</span></b> inspired by Tati's iconic films (see below and more
examples on <a href="http://davidmerveille.blogspot.fr/"><span style="color: #0000e9;">David Merveille's blog</span></a>).</span></div>
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<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">But the tribute to Jacques Tati is at
its best in a superb video, made by the <b>agency Peter Franklin</b> from
illustrations by <span style="color: blue;"><b>David Merveille</b></span> and inspired by the graphic work of <span style="color: blue;"><b>Saul Bass</b></span>. </span></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The video displays Jacques Tati in Paris, going to the new Berluti Rue de Sèvre
store, and highlights the new made to measure Berluti / Arnys workshop (Atelier
Grande Mesure Arnys) and the participation in the restoration of the short
film Soigne ton gauche (Watch Your Left), shot in 1936 with Jacques Tati in the
leading role.</span><o:p></o:p></div>
<br />
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="270" src="//www.youtube.com/embed/LtixqjB2igI" width="480"></iframe><br /></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUwoGP7xJFQh5pGBontZIzgo8qKFEhuNem4KzrwUYW7agFyHF2Ln_WTwAOi72PCOhajnHHi-JFTXw786taFe1FEoczss52Vg-12zaxqlpxXKMQ5O_tQhvWkoxrvalX4eAxFKWz_WQ0c-W/s1600/Capture+d%E2%80%99e%CC%81cran+2014-01-18+a%CC%80+15.09.46.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUwoGP7xJFQh5pGBontZIzgo8qKFEhuNem4KzrwUYW7agFyHF2Ln_WTwAOi72PCOhajnHHi-JFTXw786taFe1FEoczss52Vg-12zaxqlpxXKMQ5O_tQhvWkoxrvalX4eAxFKWz_WQ0c-W/s1600/Capture+d%E2%80%99e%CC%81cran+2014-01-18+a%CC%80+15.09.46.png" height="302" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPKQLy3lVYTb4pREWSCY9UxX8ImvjS3gCnXOnXDaQdLH5AyBAKeyEeS_x7grEfq-neDxNxa86kBTwDKET02HzH-709rscuVIE6EODuLS8MVjc0k2PtbEPiMXIDJ-yPvw5xamRdjWdwZbQN/s1600/actu_19672_vignette_bandeaufiche.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPKQLy3lVYTb4pREWSCY9UxX8ImvjS3gCnXOnXDaQdLH5AyBAKeyEeS_x7grEfq-neDxNxa86kBTwDKET02HzH-709rscuVIE6EODuLS8MVjc0k2PtbEPiMXIDJ-yPvw5xamRdjWdwZbQN/s1600/actu_19672_vignette_bandeaufiche.jpg" height="352" width="640" /></a></div>
<br />
<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: inherit; line-height: 24px;"><span style="color: blue;"><b>Saul Bass</b></span> (an American graphic designer, 1920-1996, best known for its design of motion pictures title sequences, film posters and corporate logos) style was one of the main inspiration for the art direction of the video:</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ECw4_CCP3nGHVW128RQQhHGmW5bjSnspXVP_nheaU_86CdtnhrlrJvK5FWmEgl-TR7-3NoOSNJCqWJkrbEgEn483bYmJaYz6g_mXylhDw7O_O7-KuasNa8_zEhjhrkATfjvwhqaQ7urA/s1600/024_saul_bass_2_theredlist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ECw4_CCP3nGHVW128RQQhHGmW5bjSnspXVP_nheaU_86CdtnhrlrJvK5FWmEgl-TR7-3NoOSNJCqWJkrbEgEn483bYmJaYz6g_mXylhDw7O_O7-KuasNa8_zEhjhrkATfjvwhqaQ7urA/s1600/024_saul_bass_2_theredlist.jpg" height="640" width="414" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwb1JUiiDyJNgR151hAsihzL6zZwjeXpm1ZPg36H62wDfUpKMzL-dS7u-VJKhGa8rDoVGBVoYblETG_GEmmx7MDeKnopQ0Wurs67eE4L57f6ZXKs2sD7qLVZmRViaveU9DGtx0A-uFZc2S/s1600/Capture+d%E2%80%99e%CC%81cran+2014-01-18+a%CC%80+14.52.41.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwb1JUiiDyJNgR151hAsihzL6zZwjeXpm1ZPg36H62wDfUpKMzL-dS7u-VJKhGa8rDoVGBVoYblETG_GEmmx7MDeKnopQ0Wurs67eE4L57f6ZXKs2sD7qLVZmRViaveU9DGtx0A-uFZc2S/s1600/Capture+d%E2%80%99e%CC%81cran+2014-01-18+a%CC%80+14.52.41.png" height="373" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/0wngWPg2le4?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">More details on Saul Bass work: <a href="http://www.saulbassposterarchive.com/">http://www.saulbassposterarchive.com</a></span><br />
<br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">A few other great illustrations by David Merveille:</span><br />
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David Merveille's blog: <a href="http://davidmerveille.blogspot.fr/">http://davidmerveille.blogspot.fr</a>Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-12704137195961143212014-01-12T19:29:00.004+01:002014-03-15T14:36:59.810+01:00"OUI FM" vs "ROLLING STONE MAGAZINE": keeping the rock music spirit alive!<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">"OUI FM"(radio specialized in rock music) just launched a new ad, exclusively for movie theaters, and inviting the audience to do whatever they feel like when watching their movie. As a way to remain faithful to the original rock spirit... and reminding another ad a few months ago, for Rolling Stone Magazine.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2 different creative idea about the <b>same crusade (the fight to keep the rock spirit alive)</b>, <b>both using illustration</b> (<span style="color: blue;"><b>Julia Deshayes</b></span> for OUI FM, <span style="color: blue;"><b>Gerardo Del Hierro</b></span> for Rolling Stone Magazine) and both from the <b>same agency</b> (CLM BBDO Paris for the 1rst, DLV BBDO Milano for the other).</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">And the winner is... ?</span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/AmQudxXCHNw?feature=player_embedded' frameborder='0'></iframe></div>
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<object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/E-9vCN0_iUo/0.jpg"><param name="movie" value="https://youtube.googleapis.com/v/E-9vCN0_iUo&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://youtube.googleapis.com/v/E-9vCN0_iUo&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b><span style="color: blue;">Julia Deshayes</span></b>' website: </span><a href="http://www.juliadeshayes.com/" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">http://www.juliadeshayes.com</a><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b><span style="color: blue;">Gerardo Del Hierro</span></b>'s website: <a href="http://www.gerardodelhierro.com/">http://www.gerardodelhierro.com</a></span>Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-64884385510703403002014-01-12T18:12:00.002+01:002014-01-12T18:12:53.444+01:00January 2014<div class="separator" style="clear: both; text-align: center;">
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-87841205887817232142014-01-04T20:31:00.004+01:002014-01-04T20:31:57.449+01:00SAMSUNG & Illustrator "BOICUT"<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In this new campaign, the <b><span style="color: blue;">advertising agency Traktor</span></b> uses <b><span style="color: blue;">Vienna-based illustrator BOICUT </span></b>- who has done previous collaborations with brands such as Nike, Vans, Converse and Hennessy - in a work-in-progress demonstration of the </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">vibration-free </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Samsung washing machine.</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The creativity and steady hand of BOICUT create an elaborate sea monster-themed illustration using the washing machine as his canvas.</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Smart & playful advertising demonstration.</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;"><br /></span></span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;"><span style="line-height: 19px;">Advertising Agency: </span>Traktor Wien, Austria</span></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;"><span style="line-height: 19px;">Creative Directors: </span>Alexander Winsauer<span style="line-height: 19px;">, </span>Antonia Tritthart</span></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;"><span style="line-height: 19px;">Art Director: </span>Christian Gresse</span></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;">l</span><span style="background-color: white;"><span style="line-height: 19px;">Illustrator: </span>BOICUT</span></span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;"><br /></span><span style="background-color: white;">BOICUT's website: </span><a href="http://www.boicut.com/">http://www.boicut.com</a></span>Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-56269038196385221172013-10-22T15:49:00.004+02:002013-10-22T15:49:48.368+02:00May / Oct. 2013<div class="separator" style="clear: both; text-align: center;">
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<br />Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-38555667812168506562013-09-11T20:20:00.002+02:002013-09-11T20:24:20.920+02:00LOUIS VUITTON, Chapman Brothers' Autumn/Winter Men Collection<!--[if gte mso 9]><xml>
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<br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: blue;"><b>"Jake"
Chapman</b></span><span style="color: blue;"><b> (born 1966) </b></span>and <span style="color: blue;"><b>"Dinos" Chapman (born 1962)</b></span>
are <span style="color: windowtext; text-decoration: none; text-underline: none;">English</span>
visual artists, often known as the Chapman
Brothers, who work together as a collaborative sibling duo.</span></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">They studied at The <span style="color: windowtext; text-decoration: none; text-underline: none;">Royal College
of Art</span> (1988–90), when they also worked as <b>assistants to the artists
<span style="color: windowtext; text-decoration: none; text-underline: none;">Gilbert and
George</span></b>.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Their <b>subject matter is
often deliberately shocking</b>, including, in 2008, a series of works that
appropriated original watercolours by <span style="color: windowtext; text-decoration: none;">Adolf Hitler</span> (in Hitler’s
early life, he attempted to begin a career as an artist and created many
watercolour studies which the Chapmans bought and used as a
basis for a work and exhibition «If Hitler Had Been a Hippy How Happy Would We
Be »). See below.</span><span style="font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Arial;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgegg4cR5a4j8J2KOlW1jaK9fah73Q6jhjkSn4tQN0vCT7hq9UPrpOjlxhQtfKpy4AYQHA21p3o_qtzM0hyphenhyphenRHxGG7DUZkT42ayJEYx4d_1CFa8KFG99tj_6tkrRYFTjnB69m04X6DjTVxDR/s1600/if-hitler-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgegg4cR5a4j8J2KOlW1jaK9fah73Q6jhjkSn4tQN0vCT7hq9UPrpOjlxhQtfKpy4AYQHA21p3o_qtzM0hyphenhyphenRHxGG7DUZkT42ayJEYx4d_1CFa8KFG99tj_6tkrRYFTjnB69m04X6DjTVxDR/s400/if-hitler-4.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjed6rJE1oUzh45D1ua20be3-nAJ15YcJcccIE2CQfdiuaRx9WlcWtptnGjWRJvJJ0dpVzGt3HdZwhE0QBaev86B7KpRL6e6V3fVz03hqmq06S8FygIZQN_gAzp6AZN6_5zMqBQyVcldMvh/s1600/if-hitler-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjed6rJE1oUzh45D1ua20be3-nAJ15YcJcccIE2CQfdiuaRx9WlcWtptnGjWRJvJJ0dpVzGt3HdZwhE0QBaev86B7KpRL6e6V3fVz03hqmq06S8FygIZQN_gAzp6AZN6_5zMqBQyVcldMvh/s400/if-hitler-5.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Known for their highly
provocative art, the two brothers - also referred to the « dark brothers
of British art » and known for their characteristic dark sense of humour -
worked with Kim Jones (men’s style director of Louis Vuitton) and Louis Vuitton
on a capsule collection for Fall/Winter 2013.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTl3UHREbllpf3gqa0TdVj4I1-1y4CpGHm60UpxXtILBX7WRAy2Gz9rWKRj6RHAo0R8GkW5UqP4BlbQ5bNdi8CZIdIlH1U1iEgRCo9PoNQuTq2cEWsBuGRk0gBpC5CigJIkv_636CUK2Jg/s1600/main_Jake-and-Dinos-Chapman-th-001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTl3UHREbllpf3gqa0TdVj4I1-1y4CpGHm60UpxXtILBX7WRAy2Gz9rWKRj6RHAo0R8GkW5UqP4BlbQ5bNdi8CZIdIlH1U1iEgRCo9PoNQuTq2cEWsBuGRk0gBpC5CigJIkv_636CUK2Jg/s640/main_Jake-and-Dinos-Chapman-th-001.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: Arial;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"> This collection is
the <b>first Vuitton menswear collaboration with contemporary art</b>.</span></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">“I sat down with Jake
Chapman and we talked through the idea of a ‘garden in hell'” said Kim Jones. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Keeping in mind
<b>« travel » has always been at the heart of Louis Vuitton’s DNA</b>, Jones asked the Chapmans to offer twisted visions of mountain monsters from the
Himalayas.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Old Nepal/Tibet Wrathful
Deities:</span><span style="font-family: Arial;"><o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxOP9-6JCtqqucQKGDeOiVtn0n9KyIPjLFKcPNoyLdzAku6OpV0OfeUGl0K739VDAKqvSIBDFgvdkhRbePSSOM9VNfDWBManrYOrmskc6sej6Q5syasF3RrSG_YV9trt1P5tbFsZIaywIv/s1600/Capture+d%E2%80%99e%CC%81cran+2013-09-11+a%CC%80+19.31.30.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxOP9-6JCtqqucQKGDeOiVtn0n9KyIPjLFKcPNoyLdzAku6OpV0OfeUGl0K739VDAKqvSIBDFgvdkhRbePSSOM9VNfDWBManrYOrmskc6sej6Q5syasF3RrSG_YV9trt1P5tbFsZIaywIv/s320/Capture+d%E2%80%99e%CC%81cran+2013-09-11+a%CC%80+19.31.30.png" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizdg_dlcFVJopnlFueCxdyRtkrGdjeiN479kwbaHOqJ_6cHJE1Bw7KOt1jUYA-O4W-TCWc9QF37qceYHUwN9MpNexoNMUpcQ8WGlelMm2Q_n00aneuoWk9J2PydwctOyMwHFDgg-xosgkj/s1600/mahakala_detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizdg_dlcFVJopnlFueCxdyRtkrGdjeiN479kwbaHOqJ_6cHJE1Bw7KOt1jUYA-O4W-TCWc9QF37qceYHUwN9MpNexoNMUpcQ8WGlelMm2Q_n00aneuoWk9J2PydwctOyMwHFDgg-xosgkj/s320/mahakala_detail.jpg" width="320" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The anthropomorphic animals
and creatures of Louis Vuitton’s collection appear almost like the <b>Chapman’s
own spin on the Buddhist idea of ‘wrathful deities’</b>, fearsome talismanic
protectors from evil and a <b>bridge between the natural and supernatural world</b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaQ0hG__IT0B4wKxHh4XgPzECOZr0lfetktk_DhUsN8FP_5u-gyBQ4jRMrAXtvF5NgFVjcGq6UpKIA4o64p9s7r43zdqdipUZbpHO0cV2e2G6aGcNAz5IRfGpF-4Gvs9oKl-C_IBkCbbch/s1600/tumblr_mgtgvpDQw91rrxmogo1_500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaQ0hG__IT0B4wKxHh4XgPzECOZr0lfetktk_DhUsN8FP_5u-gyBQ4jRMrAXtvF5NgFVjcGq6UpKIA4o64p9s7r43zdqdipUZbpHO0cV2e2G6aGcNAz5IRfGpF-4Gvs9oKl-C_IBkCbbch/s640/tumblr_mgtgvpDQw91rrxmogo1_500.jpg" width="478" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhohWWasl2bCFZNpfYlLM7Q2uS85bYIjaXhd6S1AgnVwjPsu6AYW33PDmJXJRdCOBh0Wkk5mZ5X-PhoLWhOH6cEIPUy5jOh8C_IRa0xe88Qgtdi0ownsRf0q0SyFC32jQQAblWYtI49grF7/s1600/LV6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhohWWasl2bCFZNpfYlLM7Q2uS85bYIjaXhd6S1AgnVwjPsu6AYW33PDmJXJRdCOBh0Wkk5mZ5X-PhoLWhOH6cEIPUy5jOh8C_IRa0xe88Qgtdi0ownsRf0q0SyFC32jQQAblWYtI49grF7/s640/LV6.jpg" width="480" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKc4ai76-lNMIeuzawEfbzsINepqZZWeGyiOL7JXEuRPD0paDZbAfk55PLvqtHtUN47K0vzCMIYkFovzA-y19l5CYiQsbhX_ld9ed00FW5dyfoOmIbtqh5iey54ffq83mQIFmVXUPqyQCI/s1600/LV7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKc4ai76-lNMIeuzawEfbzsINepqZZWeGyiOL7JXEuRPD0paDZbAfk55PLvqtHtUN47K0vzCMIYkFovzA-y19l5CYiQsbhX_ld9ed00FW5dyfoOmIbtqh5iey54ffq83mQIFmVXUPqyQCI/s640/LV7.jpg" width="480" /></a></div>
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<span style="font-family: Arial;">The creatures decorate <b>bags,
footwear and « eye-inspired » jewellery</b> (necklaces, key rings, cufflinks
in the shape of eyeballs, with Louis Vuitton insignia in the iris).</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNRX1X_26nkrnRNdAXqFirOPjfLEEvOi4KbvpcLZM1s-EI1pUgLpJWcDniUTs59KPHhKdJLCceh9QplRR9M5BrpHx3JuzGG2plg-GXeWA_MSHq3HElkSpnibgVzXLUrWCDC0vTjJRSOIsd/s1600/Capture+d%E2%80%99e%CC%81cran+2013-09-11+a%CC%80+20.14.45.png" imageanchor="1" style="font-family: Arial; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="620" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNRX1X_26nkrnRNdAXqFirOPjfLEEvOi4KbvpcLZM1s-EI1pUgLpJWcDniUTs59KPHhKdJLCceh9QplRR9M5BrpHx3JuzGG2plg-GXeWA_MSHq3HElkSpnibgVzXLUrWCDC0vTjJRSOIsd/s640/Capture+d%E2%80%99e%CC%81cran+2013-09-11+a%CC%80+20.14.45.png" width="640" /></a><span style="font-family: Arial;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOoKPqJUV_gQchdmnGXmmRGF8EF_0QZl-Slcq863iv9usKDV1bELAP7SOQ_lXSizots54x1ovsjDo2nHkTEEIfaqNjtXJhI80q6nqWK1jyWmK9q0iGMjfKZFxODtUER4aI_nn5nZIK_rRO/s1600/Capture+d%E2%80%99e%CC%81cran+2013-09-11+a%CC%80+19.49.31.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOoKPqJUV_gQchdmnGXmmRGF8EF_0QZl-Slcq863iv9usKDV1bELAP7SOQ_lXSizots54x1ovsjDo2nHkTEEIfaqNjtXJhI80q6nqWK1jyWmK9q0iGMjfKZFxODtUER4aI_nn5nZIK_rRO/s400/Capture+d%E2%80%99e%CC%81cran+2013-09-11+a%CC%80+19.49.31.png" width="306" /></a></div>
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<span style="font-family: Arial;">The </span><b style="font-family: Arial;">global menswear market
</b><span style="font-family: Arial;">is growing at the rate of </span><b style="font-family: Arial;">14 % per year</b><span style="font-family: Arial;"> – almost double womenswear growth.
</span><b style="font-family: Arial;">Men account for 55 % of China's
luxury
goods market</b><span style="font-family: Arial;">, well above the world average of 40 %.</span><br />
<!--EndFragment-->Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-49223844715342330412013-09-10T20:12:00.001+02:002013-09-10T20:13:42.888+02:00COTELAC, "Brecht Evens" for a limited edition dress<span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;">Born in 1986, </span><b style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;"><span style="color: blue;">Brecht Evens</span></b><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;"> is a cartoonist and illustrator living in Ghent, Belgium. He studied Illustration at </span><span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;">Sint-Lucas Beeldende Kunst Gent</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;">. </span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">He was awarded <b>"Prix de l'Audace" at Angoulême Festival </b>for <i>Les Noceurs</i> (<i>The Wrong Place</i>) & <b>n</b><span style="line-height: 20px;"><b>ominated for a prestigious Eisner Award</b> for Best Painter/Multimedia artist for </span><em style="background-color: transparent; border-width: 0px; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;">The Wrong Place.</em></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0YCp-u0hMAhiN1IM94rSsFwwuTpha0zZkQvBL8ME-Kxdfxzmv2c-fNDJNYsgovl4LJPr-6J3mupk_snWJzayGb03erjIya6OvkafPhHfbZbh4woTd1jgrEsGI1u24HPr_lMfQZAqEKX0C/s1600/Capture+d%E2%80%99e%CC%81cran+2013-09-10+a%CC%80+19.45.05.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0YCp-u0hMAhiN1IM94rSsFwwuTpha0zZkQvBL8ME-Kxdfxzmv2c-fNDJNYsgovl4LJPr-6J3mupk_snWJzayGb03erjIya6OvkafPhHfbZbh4woTd1jgrEsGI1u24HPr_lMfQZAqEKX0C/s640/Capture+d%E2%80%99e%CC%81cran+2013-09-10+a%CC%80+19.45.05.png" width="505" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0wf8Cg2Oo7QZrCtrTQ2eng8RI6Krb9bH1ON8wX_T1fjqfVdO6LsqI9YJY55jOpNwNSF-DYRT_k_AL2kVmSeog9qqDCYFpNofOOp-zFg-WueGUxAaDeLjHOIoKiC44Z9xAuAMvP9AYGbsR/s1600/Capture+d%E2%80%99e%CC%81cran+2013-09-10+a%CC%80+19.34.38.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0wf8Cg2Oo7QZrCtrTQ2eng8RI6Krb9bH1ON8wX_T1fjqfVdO6LsqI9YJY55jOpNwNSF-DYRT_k_AL2kVmSeog9qqDCYFpNofOOp-zFg-WueGUxAaDeLjHOIoKiC44Z9xAuAMvP9AYGbsR/s640/Capture+d%E2%80%99e%CC%81cran+2013-09-10+a%CC%80+19.34.38.png" width="640" /></a></div>
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<em style="background-color: transparent; border-width: 0px; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></em></div>
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<em style="background-color: transparent; border-width: 0px; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="color: black; font-style: normal; line-height: normal;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Each season, Cotélac supports emerging artists by asking a young artist to provide his own view of the brand. </span></span></em></div>
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<em style="background-color: transparent; border-width: 0px; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: black; font-style: normal; line-height: normal;">As stated by Cotelac, "the collaboration between Cotélac and Brecht Evens arose quite naturally: the <b>painstaking care applied to the motif and the delicacy of the design of the silhouettes, genuine signature elements of the company, have found an echo in the illustrator’s works</b>. A dialogue thus commenced between Cotélac’s designer and this prodigy to pursue collaboration on garments : Raphaëlle Cavalli has therefore designed three brand new pieces, printed with the original motif designed by Brecht Evens."</span></span></em></div>
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<em style="background-color: transparent; border-width: 0px; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="color: black; font-style: normal; line-height: normal;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span></span></em></div>
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<em style="background-color: transparent; border-width: 0px; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;"><em style="background-color: transparent; border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="color: black; font-style: normal; line-height: normal;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Raphaëlle Cavalli (Creative Director at Cotélac) & Brecht Evens (Illustrator & Cartoonist): </span></span></em></em></div>
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<em style="background-color: transparent; border-width: 0px; line-height: 20px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="color: black; font-style: normal; line-height: normal;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This collaboration between Cotélac and this prodigious author, will give birth to a unique dress, designed by Raphaelle Cavalli and printed with original designs conceived by Brecht Evens, which will see its debut in autumn 2013.</span></span></em></div>
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<span class="Apple-style-span" style="text-decoration: none;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Brecht Evens's website: <a href="http://brechtnieuws.blogspot.fr/" style="text-decoration: none;">http://brechtnieuws.blogspot.fr/</a></span></span></div>
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Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-22729683996045608042013-06-23T17:46:00.000+02:002014-11-02T15:04:39.230+01:00MELBOURNE METRO, "Dumb Ways to Die" (animation/illustration: Julian Frost)<div class="separator" style="clear: both; text-align: left;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: Arial; mso-bidi-font-family: Arial;">'Dumb
Ways to Die', the all-time most awarded campaign in Cannes Lions' history: 5
Grand Prix, 18 Gold Lions, 3 Silver Lions, 2 Bronze Lions!</span></b><o:p></o:p></span></div>
<!--EndFragment--><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">“Dumb Ways to Die” is an integrated
advertising campaign designed to curb the number of train-related deaths. The
campaign is centred around a three-minute animated music video - in which
adorable blobs make the stupidest decisions and gruesomely pay the ultimate
price -, highlighting the many dumb ways there are to die, with being hit by a
train - a very preventable death - among them. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The video passed </span><b style="font-family: Arial, Helvetica, sans-serif;">50 million YouTube views</b><span style="font-family: Arial, Helvetica, sans-serif;"> and the
song itself—written by Australian musician Ollie McGill from the band The Cat
Empire and performed by Emily Lubitz of Tinpan Orange—was made available for
sale on iTunes. Within 24 hours of its release, it was in the top 10 on
the iTunes chart and on 18 November 2012 was the 6th most popular song
globally, ahead of "Diamonds" by Rihanna. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">It was
described as "Australia's biggest ever viral hit".</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLfUEONDwBhxMnccBIWF9ppJYXA-mjDxYA8JASiKenTydiemZab4R4XGJJq8j7yK5uDMlv7F4dCBpZhuJwLKKOytAqDQGLlWV9AneszJ31znS2sS5ua-IZ9sP2fGKFTKVPXc_NZwoNZrQK/s1600/Capture+d%25E2%2580%2599e%25CC%2581cran+2013-06-23+a%25CC%2580+15.47.15.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLfUEONDwBhxMnccBIWF9ppJYXA-mjDxYA8JASiKenTydiemZab4R4XGJJq8j7yK5uDMlv7F4dCBpZhuJwLKKOytAqDQGLlWV9AneszJ31znS2sS5ua-IZ9sP2fGKFTKVPXc_NZwoNZrQK/s640/Capture+d%25E2%2580%2599e%25CC%2581cran+2013-06-23+a%25CC%2580+15.47.15.png" height="354" width="640" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Australian designer Julian
Frost</b> did the animation. “We gave him the most open brief we could:
just make it really funny and really awesome and do it to please
yourself,” said Executive Creative Director, John Mescall. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; mso-bidi-font-family: "Helvetica Neue";">The
visual reference points ranged from <b>Edward Gorey’s The Gashlycrumb
Tinies</b> to <b>Monty Python’s “Always Look on the Bright Side of Life”</b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPvPHroDQ5FMKxGt9UAU2w0jiskJV5icKu0aBTbDWM6Pz58Ocg2xe2BCBcgJKLP_zIsWkev0BrPr6IRXVO9_XUZwczEi5_B_NX8mTNRS36YwbWU5zybqCqISjz9LxyTr6jpAqF2VxPosBx/s1600/scary_a_to_z_rhymes_640_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPvPHroDQ5FMKxGt9UAU2w0jiskJV5icKu0aBTbDWM6Pz58Ocg2xe2BCBcgJKLP_zIsWkev0BrPr6IRXVO9_XUZwczEi5_B_NX8mTNRS36YwbWU5zybqCqISjz9LxyTr6jpAqF2VxPosBx/s400/scary_a_to_z_rhymes_640_01.jpg" height="320" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCmGWHDP_EIeAVh41l9ZTyEfSPALCvabQ4gNQP-gWdWBfSfxlvIIOpWK9UvUTtECNHOGghYv5dMMd0tXrLUfZi_hUrJ7OSCPt9fr176JuCGCKoq_HMGNFzQVfcWI2Hu7yyr640MYW7iEe5/s1600/Edward+Gorey+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCmGWHDP_EIeAVh41l9ZTyEfSPALCvabQ4gNQP-gWdWBfSfxlvIIOpWK9UvUTtECNHOGghYv5dMMd0tXrLUfZi_hUrJ7OSCPt9fr176JuCGCKoq_HMGNFzQVfcWI2Hu7yyr640MYW7iEe5/s400/Edward+Gorey+3.jpg" height="328" width="400" /></a></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/jHPOzQzk9Qo?feature=player_embedded' frameborder='0'></iframe></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: rgba(255, 255, 255, 0.871094); border: 0px; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 22px; margin: 0px; outline: 0px; padding: 0px;">“Julian was keen to <b>contrast the extreme situations described in the lyrics with the simplest animation possible</b>. Otherwise it would become just too much.”</span><span style="background-color: rgba(255, 255, 255, 0.871094); font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 22px;"> </span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: rgba(255, 255, 255, 0.871094); line-height: 22px;">After the spot blew up online, Frost wrote on his website:</span><span style="background-color: rgba(255, 255, 255, 0.871094); border: 0px; line-height: 22px; margin: 0px; outline: 0px; padding: 0px;"> “Well, the Internet likes dead things waaay more than I expected. Hooray, my childish sense of humor pays off at last.”</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizSUt9bp2Cj3u3D8CW54LDENLpKdxhCNdA7auvBCM-QS4RZIIyVobQtQRNqQvhAgKbIWiaZdP1TRDYjPSsT7nnQBKJd1GSY_5yPh4tMT43DxJ_7KLAQZIKDKYStaT286RyJ0KzIgcio4Bc/s1600/toast_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizSUt9bp2Cj3u3D8CW54LDENLpKdxhCNdA7auvBCM-QS4RZIIyVobQtQRNqQvhAgKbIWiaZdP1TRDYjPSsT7nnQBKJd1GSY_5yPh4tMT43DxJ_7KLAQZIKDKYStaT286RyJ0KzIgcio4Bc/s640/toast_2.jpg" height="640" width="452" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIoEx-phSjMW6J8NOsvc2U8r61tvgoxHbAzezrKobBXdDD6CtNLTvEhGMjAh4Q5TwWowgfIcDRy_Y2qrapwUAmj-KGTyNXiUJPRaTdIaDjgKW-9z8VqZ-aVtgzJlih6AgFV9UH8bkqN9Zc/s1600/hair_11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIoEx-phSjMW6J8NOsvc2U8r61tvgoxHbAzezrKobBXdDD6CtNLTvEhGMjAh4Q5TwWowgfIcDRy_Y2qrapwUAmj-KGTyNXiUJPRaTdIaDjgKW-9z8VqZ-aVtgzJlih6AgFV9UH8bkqN9Zc/s640/hair_11.jpg" height="640" width="451" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz9U1iMsXERjX9j3hteSn5jVe7zoK4nvPpuRmOr7imZ_r3UjI3VmML_FtxA1rXZKyZTWMkWbQ8lAN2X5xXLc3YfsJgalSKX90E4VIQAZYVMyVemyTHHdghvl_JIF25uaETwAXxWvSEG_zM/s1600/bear_12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz9U1iMsXERjX9j3hteSn5jVe7zoK4nvPpuRmOr7imZ_r3UjI3VmML_FtxA1rXZKyZTWMkWbQ8lAN2X5xXLc3YfsJgalSKX90E4VIQAZYVMyVemyTHHdghvl_JIF25uaETwAXxWvSEG_zM/s640/bear_12.jpg" height="640" width="452" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRQMtlV7Lu_HhabCrJRysy-wJ04dyCqhWuD0oOeFDe0CmelI3x4cHdkR_mdnqmEzk_bvxoy13QviBW-SH7due3z4_mP_Ta1HLgiwZWsMNHez8RW0ZNEc2TzCeLZF0dMah-w4A5aE3BQ8wC/s1600/moose.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRQMtlV7Lu_HhabCrJRysy-wJ04dyCqhWuD0oOeFDe0CmelI3x4cHdkR_mdnqmEzk_bvxoy13QviBW-SH7due3z4_mP_Ta1HLgiwZWsMNHez8RW0ZNEc2TzCeLZF0dMah-w4A5aE3BQ8wC/s640/moose.jpg" height="640" width="452" /></a></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 18px;">The campaign has taken <b>5 Grand Prix Awards at Cannes Lions 2013</b>, the most that a campaign has ever notched up at the awards. It has won the </span><b style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 18px;">film, radio, PR, direct</b><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 18px;"> and <b>integrated categories</b>.</span><br />
<span style="background-color: white; line-height: 18px;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span>
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #333333; line-height: 17px; text-align: left;">John Mescal (</span><span style="background-color: rgba(255, 255, 255, 0.871094); line-height: 22px;">Executive Creative Director) </span><span style="background-color: white; color: #333333; line-height: 17px; text-align: left;">and Adrian Mills (Group Account Director) from McCann Australia interview :</span></span><br />
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<h1 id="watch-headline-title" style="border: 0px; font-family: arial, sans-serif; font-size: 19px; margin: 0px; overflow: hidden; padding: 0px; text-overflow: ellipsis; white-space: nowrap; word-wrap: normal;">
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<span style="color: #111111; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 21px;">A round of applause for Julian Frost's illustrative & animated work, and... for the client, Metro, whose feedback included “add a piranha to his private parts please”, as Julian reported in his website (see link below).</span></div>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 21px;">Julian Frost's website: </span><a href="http://julianfrost.co.nz/things/">http://julianfrost.co.nz/things/</a></span>Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0tag:blogger.com,1999:blog-4888671704277891141.post-8957915052577942702013-05-25T15:03:00.002+02:002013-05-25T15:04:55.802+02:00FORTNUM & MASON, Old Silver Tea Pot (illustrator: Richard Phipps)<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span lang="FR"><span class="Apple-style-span" style="color: blue;">Richard Phipps</span> has been using his
vintage drawing skills for this gorgeous tin for Fortnum and Mason (an
exclusive tea blend to the Piccadilly store). </span><span lang="FR"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span lang="FR"><br /></span></span></div>
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<span lang="FR"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Richard Phipps work gives to the tin a
nice <b>19th century feel</b>, reminding the <b>silver engraving techniques</b> used at that
time for teapots: “<i>Creating an image which has to appear to originate from
another era is always an exciting challenge for me.</i>”</span><span class="Apple-style-span" style="font-family: 'Helvetica Neue'; font-size: 16pt;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 16px; line-height: 21px;">Richard Phipps' website: <a href="http://www.illustrationweb.com/artists/RichardPhipps">www.illustrationweb.com/artists/RichardPhipps</a></span></div>
Cédric Petithttp://www.blogger.com/profile/03480445364527542052noreply@blogger.com0